God cult, priest-hood or Alien finger print similarities of the world.

The scratched image by the Great priest sorcerer in lascaux cave in france eyes looking forward and sideways holding a human kid in arms like today priest anointing a king and holds him in a ownership manner. The kid has trotters or hoofed feet suggesting the human kid as an animal. The Hawk throughout countries have been represented as priest, war and spying symbol since Hawk's can see every thing. The cave Great priest sorcerer has one left wing drawn partly invisible. The raw scratched out image is African in style. Dated around 15,000 - 20,000 BCE in lascaux cave of FRANCE. The cave is situated along the Danube river which leads out to the Black sea. Africans seem to be long distance boat sea travelers regarding Hunter gathering and trade See below African Nubian Sudanese vase of image of 1st clear use of sail on long boats there are some African vases showing boats with rows and rows of oars. The scratched triangle lines may represent long hair, elevation rule and elite facades as like African Kemet pre egyptian asian history Hawk God RE. ref: Serekh 

The below image of two animal turned away its similarities can be seen through out many countries in centuries see below images even though the painting stems from inside France Lascaux cave it may have been painted by African boat river and sea travelers since they have a distinct style in the use of red and black coloration and naturalistic simplicity in there carvings artifacts even today (regarding there influence on western modern art) the precursors of the high end art pre egypt mud stone palettes. See below African Nubian Sudan Badari Naqada artifacts.



Two stone age bison facing opposite each other similar to two Ox facing opposite each on Africa 1st king Namer "Hunters Palette" (See right image) The painted bisons are outside the Great sorcerer priest chamber..The painted red and black colour of the bison's is similar to African Nubian Sudan Badari black and red pottery vessels Dated around 4000- 3000 BCE.
This double
image of two animals is seen in southern Iraq of sumerians,
Iranian Jiroft culture and India Pakistan Indus valley and in the Americas.
This image is known as Pushing away Untamed Forces, Control of Untamed
Forces and Master of animals. See lower images. The bison cave painting dated around 20,000 - 15,000 BCE. From The Lascaux Cave France,situated near a river what leads to the sea. The African Nubians Sudans seem to be long distance river and sea travelers and a elite pot show the first use of sailing boats. It seems Africans traveled deep into Old Europe by the Black sea via the Danube river since there distinct red and black coloration in pottery style
can be seen in vinca pottery artifacts dated around 6000- 3100 BCE.














The Above image is of African Kemet (black lands) king Namer "Hunters Palette" showing two Ox looking left and right similar to lascaux cave bisons looking opposite to each other (See left image) The two above Ox are protecting a dwelling which looks like a important persons reed or Marsh arab house from southern Iraq.The mud stone artifact is African Kemet Nubian Sudan pre egyptian history. Dated around 3200-3100 BCE. British Museum.












Chlorite box of Southern Eastern IRAN Jiroft culture.tRegion Khafajeh where chlorite is found. Dated around 2400 - 2500 BCE. Artifact British Museum. The figure between two domesticated Ox looking away similar to above bisons from The Lascaux Cave France and on the above Namer "Hunters Palette". The above image is of the Hunters palette showing two Ox looking left and right as from being attacked and protecting a important dwelling which looks like a reed house or a marsh arab building from southern Iraq.,The mud stone artifact Dated around 3200-3100 BCE. British Museum.



The above image is painted in black and red in the middle entrance of the Lascaux Cave of France, dated around 15,000 - 20,000 BCE. Similar to the right image of Hili tomb. Some have said it's the work of one man.
The ram goat is a representation man-kind. See video clip Ref: Zecharia Sitchin.
The rectangle symbol between the goats could have many meanings eg: hand, land, contents, entrapment, capture of quarry physically and mentally, plan, antelope and is like a country flag emblem.
In some parts of the cave this symbol can look like a king's crown. It is similar to the United Kingdom Houses of Parliament shield where two political parties right-wing and left-wing go head to head conflict
and looks similar to the portcullis meaning to trap the enemy.
The goat on the right is drawn full bellied with
the rectangle symbol under its mouth like feed and the left black goat is drawn with no walking legs to starve showing front ribs. The grids can look like ploughed land which raises the question why is the grid drawn under the mouth of the light goat and not the black goat? Is this 15,000- 20,000 picture of words saying planned hunger, poverty, starvation of black people.




Arab carving on the Hili tomb similar to the image on the left of Lascaux cave of two goats in head to head confrontation representing people and underneath them two naked arab figures holding hands in harmony. On the other side of the Hili tomb North West are two feline predator animals tearing a goat apart See below image. The Hali tomb is a stone monolith with precise joining of stones. Dated around 3000 BCE











Two predator felines (panthers) tearing apart a goat in the middle. The image of animals opposing each other with a figure in the middle has been portrayed through out thousands of years but here is the only case where the outer animals is tearing apart the central figure. The pathers and the goat represents people. Dated around 3000 BCE Saudi Arabia.



Above Arab Hili tomb circle stone henge monolith with precise joining of stones with portal hole North West entrance which is a multi grave within a pillbox built more than a thousand years before the building of pyramids of egypt. Arab Hili tomb. Abu Dhadi Saudi Arabia Dated 3000 BCE.  




The above African Nubian pre egyptian asianiac history artifact flint knife showing Nubian Sudan conflict on the other side. Dated around 3500-3100 BCE. Called the Gebel el-Arak Knife .Showing the sumerians shepherd-fish deity God, priest king and shitirer God wearing his familiar rolled brim shepherds hat pushing away two lion's by the throat for Survival against Untamed Forces and Master of Animals standing between two dogs. This priest king and lions have thick coats so figures could be from a mountainous region of say Northern Iran (ELam) The Al Mighty area region of ancient road trade routes know as the silk route, his coat is similar to its Kazakhstan traditional mens wear or possibly from Northern India Pakistan of the Indus valley Himalayas and on the other side of this flint made knife are African Nubian Sudans naked fighting one another with penis sheaths. Artifacts found Gebel el Arak. Dated around 3500-3000 BCE REF: Master of Animals Motif WIKIPEDIA

IRAN Jiroft- chlorite- purse containing subject pushing away or holding untamed forces snakes standing between two predator felines (panthers or jaguars) Dated around 2400-2500 BCE British Museum



Above India Pakistan female pushing away or grabbing by the throat two untamed animal forces the wheel symbol above her head could represent a Sun solar wheel .Dated around 1500 - 3000 BCE. Indus valley India Pakistan Female Goddess. Also the wheel with six or eight spokes was an important symbol in Celtic polytheism, apparently associated with a specific God, known as the wheel-God, identified as the Sky- Sun- or Thunder-God, Numerous Celtic coins depict such a wheel. It is thought to correspond to a Sun-cult practiced in Bronze Age Europe. In a Roman poem as a Celtic deity to whom human sacrificial offerings were made. NFOSource Celtic God Taranis

India Pakistan Indus valley trade seal of female pushing away or grabbing by the throat Untamed Forces, or Master of Animals. In this motif the two animals are always predators or animals that can kill facing the figure between them and the figure holding them back usually by the throat. Dated around 1500- 3000 BCE


Above large female figure seated on two predatory feline
animals like the image on the right, her female body is overly large showing abundance, well being and health which is African peoples philosophy, she wears a rolled brim hat sitting between two predator feline panthers, jaguars or leopards with their tails curled around her shoulders. The figure is opposite of pushing away untamed forces by the throat like the above images instead she is sitting on them in tuned with Master of Animals motif. Artifact .Turkey- Anatolia Hatti artifact. Catal Huyuk. Dated around 5800 BCE.








Vinca pottery artifact Old Europe African in style painted in distinct Nubian Sudanese black and red firing process. Its a male birdhead figure seated on twin predatory animals, wearing v neck. African Kemet (black lands) Nubian Sudans seem to be long distance sea and river travelers from the Nile and pots show the first people to use sails on boats, who traveled deep into Old Europe from the Nile, Black sea via the Danube river, See below sail on boat vase image. There distinct red and black coloration in fired pottery can be seen clearly in Nubian Badarin pottery artifacts. Dated 6000-3100 BCE







Side (A) Chlorite box of southern eastern Iran from the Jiroft culture, Region Khafajeh the site lies 7 miles (11 km) East of Baghdad IRAQ. Dated around 2400 - 2500 BCE. British Museum. Artifact showing a characteristic distinctive large nose.The figure is holding symbolic forever streams between two tamed forces of domesticated Ox looking away. See top similar image of two painted bison from The Lascaux Cave France. These Ox are Zebru or Brahman cattle found in INDIA, PAKISTAN, ASIA,and AFRICA with its distinct hump neck








Side (B))Chlorite box showing distinctive large nose figure holding two untamed animal forces of snakes looking towards the middle figure and standing on two untamed panthers with there tails turned away. The figure standing on the Panthers has similarities of a Hatti 6000 year old figure in Anatolia TURKEY of a large female describe here as a fertility figurine Goddess setting on two panthers wearing a rolled brim hat which was found in a harvest or grain basket. (REF: See above). The strong looks of the figure chest and distinctive racial characteristic large nose could place the figure to Oceanic peoples of the Pacific: .See: Mask of Caledonia and See: Easter Island Oceanic wooden carved figurines) since priest carved important wooden figurines with large distinct noses also they inlay there figurine with white shell (a form of currency) like the above Jiroft culture artifacts (here shell inlay missing).This box artifact was found in Southern IRAN, Khafajeh where deposits of Chlorite comes from what made these jiroft artifacts.The site lies 7 miles (11 km) East of Baghdad dated around 2400 - 2500 BCE. British Museum.

Further NFOSource > HERE. Jiroft Kerman historical Southern IRAN sites where the mineral Chlorite is found.




Above image is of part (B) of India Pakistan Indus valley seal palette
of t
wo Ratite birds that are flightless from settling down
in one place to long and losing the need of flight
e.g Dodo and Kiwis. On this boat
shows two birds either ends
of the boat with a hut in the middle which could have something
to do with trade goods, an important person's or a
funeral procession
See right similar image of African Nubian Sudanese grave vase.

Dated around 1900 - 2600 B.C. E.
REF:of all three sided seal panels.

Above African Nubian Sudan grave vase pre egyptian history Dated around - 3500- 3100 BCE The procession funeral boat on this vase similar to left India Pakistan boat with a hut with two birds either side of boat




Birdhead man in cave Lascaux France Dated around 20,000 - 15,000 BCE
with four fingers similar to sumerian Elamite from southern Iran figurine See right image.
The above image was secretly painted down a deep hole called the " WELL only
accessible by climbing down by a rope. The image also shows another bird on a rein pole similar to African Nubian Naqda palette with bird on a twin branched pole African pre egyptian Dated around 3500 - 3100 BCE. See far right image.
 The image above shows a bird and a birdhead man The Birdhead man in this wall painting is troubling a bison with a spear over its baby after birth and the other bird is looking at shit droplets out of a Rhino back sides which could mean to shit stir war
See Ref Image

Sumerian from Elamite southern Iran figurine with gold wings having similar four fingers like left Birdhead man See left image. Artifact Dated around 2900 - 2400 BCE





African Kemet (black lands) Nubian Sudan Naqda mud stone palette Badarin pre egyptian asian history with two birds facing head to head on a branch rein pole Also is similar to the far left french cave image of two birds one on a rein pole and a Birdhead man in the air. The mud stone palette is shaped like a paddle oar head tip. Artifact Dated around 3500-3100 BCE. India Pakistan Indus valley civilization region Mohan Jo Daro Larkana Sindh 3000 - 1200 BCE artifacts similar to the above images of two birds on a rein pole also has circular markings similar to the vinca Birdhead man left.

Above vinca Birdhead man with four fingers similar to above image of Birdhead man in Lascaux Cave France. The vinca artifact above in distinct black and red coloration of
fired pottery of African Nubian Sudan Badarin. Dated around 6000 - 3100 BCE. See right image. The above three wheeled vehicle looks like a flame or incense holder with incense smoke cap and the Birdmans dome base used to put out a flame or incense. The image is possibly the 1st innovation showing of the wheel and its usage.The sumerians are known for inventing the wheel, which vinca artifact shows this is clearly not the case. This vinca artifact is at least 3000 years earlier than sumerian wheel carts. The vinca vehicle has modern day spoke wheels and Its a three wheel concept is modern age.



African Kemet (black lands). Nubian Sudan Badarin vase in distinct style of specialized fired pottery in black and red Dated around 4000 - 3100 BCE. pre Egyptian asian. The black and red coloration style similar to vinca black and red artifacts. See Left image and Lascaux cave black and red paintings in France. See below image







Vinca (Old European) African
in style artifact with Nubian
Sudan distinct black and red painted process showing birdhead figure seated on twin animals wearing v neck. Dated
around 6000 - 3100 BCE.
Also similar in style to below French pre historic cave painting in red and black of cattle. See below image.
Dated Around 15,000 BCE


Vinca (Old Europe) Black African style artifact with striped tribal facial markings similar to left image of African female. Dated around 6000 - 3100 BCE





African female with facial
tribal markings similar to
left vinca image Dated
around 6000 - 3100 BCE






African Nubian Sudan Badarin distinct Black and Red style specialised fired pottery vase artifact. Dated around 4000- 3100 BCE. Also similar in style to below French pre historic cave painting in red and black of cattle. See below image. Dated Around 15,000 BCE




African Kemet (black lands) Nubian Sudan vase artifact showing 1st and clear use of sail on boat for long distant travel and possible hunter gathering trade vessel dated around 4000 - 3100 BCE






FEHU RUNE Germanic name: FEHU

Traditional meaning: cattle, wealth
This is the first rune of the first aett. The runes are divided into groups of eight (called aettir), which reflect the ancient mystical numerological tradition of Northern europe. The classical meaning of Fehu as handed down through various sources is cattle or wealth, in particular, movable wealth. In a so-called primitive society such as existed in Northern europe when the runes were first developed, cattle represented wealth. The status of the chieftain was usually measured by the number of cattle which he or she owned.

In those days, cattle provided both a livelihood and a barter medium used in much the same way as money is used nowadays. Hence the present-day association with the modern English word "fee," by which name this rune is also known. The possession of money or wealth means that a certain level of responsibility is required on the part of the possessor.
NFOSource Runes





The cow is the main figure in the Lascaux cave walls 1500- 20,000 BCE and a very important animal in ancient times for survival. It is painted in black and red which is a distinct African Nubian Sudan Baradian black and red artifacts style. pre egyptian history See pottery vase artifact image above. The red arrow point's to twig or branch which has similarities to rune stones see left image from Old Northern europe meaning cattle and wealth

Also see the
Sumerian seal of seasonal harvest with sumerians holding a
three prong object
. NFO REF: Harvest Season Death and Rebirth Seal









Germanic : ALGIZ Rune Stone.
(Anglo-Saxon : EOLH; Old Norse : YR; Phonetic value: Z)
Traditional meaning: protection
The primary meaning of the Algiz rune is protection. The sign itself looks like a splayed hand, and is reminiscent of Tyr's hand, which he sacrificed in order to bind Fenris the wolf. The Old Germanic word alhs means temple or sanctuary. Because all the magical accoutrements and ritual equipment were kept in the alhs, these sacred places of worship had to be strongly defended.
NFO:REF : Rune Stone

The cow is the main figure in the Lascaux cave walls 1500- 20,000 BCE
and a very important animal in ancient times for survival.
It is painted in black and r
ed which is a distinct African Kemet (black lands) Nubian Sudan Baradian style pre egyptian asianiac. See pottery vase artifact image above. The red arrow point's to twig or branch which has similarities to ALGIZ Rune Stones. See left image from Old Northern europe

Above sumerian war and victory scene of a bald headed religious figures and high level priest holding animal rein pole. Panel standard similar to the above African Nubian Sudanese palette with a bird on a rein pole standard. The sumerian panel comes from Northern Iraq of Mari temple of Goddess Inana her husband the sumerian God lord, shepherd and priest king and deity. Northern mesopotamian period, 2900 BCE - 2350 BCE. The above reconstruction shows prisoners being led before a bald-headed figure representing high-level priest. The central figure has been reconstructed as carrying an animal standard and representing temple herd or cattle going back to the sumerians fish-shepherd God, priest-king, deity lord and his Goddess wife Inana 3000-3300 BCE. It is describe as a rein ring similar to the electrum one found in the death pit of Puabi in the Royal Cemetery at Ur. NFOSource The above panel was made from shell which was a early exchange money currency.


Above artifact a African Kemet (black lands) broad nose naked female Nubian Sudan Bardari, hand together in humble pose with blue lapis eyes which comes from Afghanistan Pakistan India the blue eyes are associated with white
western europeans. Artifact is from the Badari culture
region known for slaves its a mortuary figurine possibly made
from Hippo ivory Naqada pre egyptian 4000- 3600 BCE.
Similar to religious sumerian from southern Iraq. See right image.



Above artifact from Iraq. Sumerian called themselves the black headed people this male figure with blue stone Lapis Lazuli eyes is a white peoples trait. This precious blue mineral is mined from Afghanistan beside India Pakistan. Artifact from Southern Iraq 2600- 2400 BCE







Above chlorite artifact image in part shows on the right a large curved nose Chief with strong chest which is a oceanic trait he wears a three prong leaf headwear similar to Algiz Rune stone image meaning protection, See left image and also see right Jewish three prong branch. The figure far left is holding up a branch which is similar in his hand which is similar to the Chief headdress which could mean arrival also a there three prong leaf on the ground at his feet which could mean land. This is a Chlorite vessel which would of been inlaid with a white prized shell a first type of money. This object comes from Southern Iran where Chlorite in mined to make Chlorite objects, Dated 2650- 2900 BCE Other similarities : Akkadian Seal , Sun God in a.boat 2200 BC. Also see the Harvest Season Death and Rebirth Seal

The above is a Chlorite vase is from Bismaya Southern IRAQ Mesopotamia. Period 2650 - 2900 BCE.
Note : Horn being blown is similar to Mayan horn and Australian Didgeridoo . The figure above the horn player wears shoes! (See broken off top right corner) whilst the big curved nose natives are bare footed and one figure seems to hold the feet of another whilst running towards the shoed figure.(this holding the foot of another is seen on the pre egyptian wall painting of ) The strong chest of the figures and their large nose which was a Chieftain and Godly trait could place them from Oceanic peoples. The harp played by the two figures look similar to sumerian and African harps or lyre

The three branches is also seen on the ground in the left corner which could mean land and can also be associated with a certain tribes like the Mohawk Indians meaning three clans; In North Americas, the Turtle, The Bear and The Wolf wearing three war feathers on their heads.

The above native on the left holding the three twig branch has similarities of today's hawks and war like people called sumerian Jews and Talmudic Jews nick named hawks in AMERICA and rats in RUSSIA to their ways of perched financially above host countries in regards to their Alien small numbers and bird like features of short forehead, short chin and big hawkess nose. Gods Chosen Ones. The Jews call their branch or twig The Menorah. and its a Coat of Arms. See above right Image.



  Above shows similarity of boat head bows with a sumerian next to his God known as the fish-shepherd God, priest king, deity lord and shit stirrer God who is depicted in a conflict scene on a flint knife handle artifact from African Nubian Sudan pre egyptian Kemet (black lands). See left image. The above image is a trade seal showing a boat with temple herd and netted confinements with the sumerian God in the middle with his wife Goddess Inanna represented by temple poles above the Ox. The seal dated around 3300-3000 BCE. African Black Nubian Sudanese pre egyptian Gebel Arak flint knife handle
The Gebel Arak Knife 3100 - 3500 BCE Depicting Nubians Sudanese in conflict with each other, one side are completely bald like priest with weapons winning over the partly bald hair braided long and on the other side of handle is the sumerian God lord deity, priest shepherds king or shit stirrer God in the middle of two lion pushing them away back by the throat See above God Deity subduing two lions
Similar twig branch where Americas 1st installed Mayan king Pakal seen here pointing upwards under the Croc Headdress. .NFO Source Mayan wall mural of a celebration with Lizard Reptile CROC. Above Oceanic Island Iniok village
Croc Head bow of the great war canoe

and protector shield.
Artifact 19th - 20th
Century Minnesota Museum of America
CROC protector war canoe bow


Iran Jiroft religious rosette around 3000 BCE
Iraq sumerian God religious rosette 3000 BCE African king Namer religious rosette 3000 BCE
Iran Chlorite vessel artifact with six devotion petals rosette. 2900-2400 BCE.
Southern Iran, Oceanic important individual figure with strong depicted chest, long hair, large nose, wearing netted dress. holding a snake meaning control of untamed forces and control of wild beast
Above sumerian shepherd fish God, deity lord, priest king, shit stirrer God and also known as Dumuzi who represents the harvest season and a God of the underworld by his Goddess wife Inana.The east and western sumerian God holds rossets with temple flocks of racku a precious breed of straight horned sheep from Turkey either side of his temple flock are poles with top ringlets representing his Goddess wife Inana which todays high priest crook poles to lead his flock. Date around 3000- 3300 BCE. A trade seal from Southern Iraq Uruk, Warka Above image of the Scorpion king or Namer 1st installed King of Northern and Southern Africa Kemet (black lands) Nubian Sudan pre egypt asian to place the people under one for control above on this vase showing a rosette the king here wearing Southern king and right image shows him wearing Northern crown. Date around 3100- 3500 BCE.


Todays sumerian priest-hood western europe church window with rosette petals. The above rosette represent deity, lord, devotion and God. 2000 C.E. Sumerian God carrying bag with eyes and devotion rosette petals. Artifact. 2600-2400 BCE. Southern Iraq Above image of UK's Head resident's where the country is placed under 1. Window showing rosette petals. 2000.C.E.

The above is a early stage God sumerian temple herd building surmounted by emblems consisting of poles.The above image shows two temple herd emerging from building. The round ringlets on poles on top of the temple building amount to 14 ringlets which amounts to the total number of temple herd in this trade seal.
.• Date: Jemdet Nasr ca. 2800 - 3000 BCE • status: Feared to be stolen. IRAQ. NFOSource.
It has
Churches or religious buildings were 1st associated with animals and humans ref: See similar reed buildings housing human and animals together in present day southern IRAQ Mash Arabs Structures who relate themselves back to the sumerians around 3000 BCE.
Status: unknown Source

Above is a Trade Seal Description: Temple Herd.


Above show early temple buildings with the same temple poles as in left image. The sumerian ceremonial cylinder seal dated around 3000 BCE showing cultic figures a female. It has been said early churches or religious temple buildings were first associated with both animal and human shelters similar to present day Mash Arabs Buildings. The cultic temple buildings have poles ring lets outside on the left of the female one naked bald male or priest holds up a netted garment and on her right the other naked bald male holds up a long cord with three knots or zeros which coincides with the numbers of the three front figures. In the background is a canoe trip with three bald figures one figure at the back of the canoe is rowing the canoe with a ore, the one figure at the front of the canoe is guiding and navigating and the other figure in the middle of the canoe is standing above pointing to a temple building with a symbol under his arm. In sumerian script a figure with a symbol under his arm like a branch mean future. NFO REF: See sumerian Script 32 Having a Y branch or twig. The above canoe head bows looks like the sumerian writing script
meaning surround - capture REF: See sumerian Script 7 .


Above sumerian tablet image show a cultic temple building with two temple pole ringlets corresponding to the two figures which is possible the sumerian God and his Goddess wife Inana, Both figures at the beginning of the story tablet are holding their sacrificial kid or flock in cross arms and in the middle Goddess Innana is seen looking straight at the viewer clasping her hand in a religious pose and the naked male priest or the sumerian God is pouring out libation on top of an alter with animal ankle straps to hold and cut the kids throat.
The pouring out libation is a natural symbol of lifes energy as well as cleansing priest alters and the offering of purification. Above shows the sumerian God holding a drinking vessel (not shown here click link on image)

Note: Alters in priest church (houses) for ritual christening by pouring pure water over the kids head is for cleansing their fated sins and in the ancient past used for animal sacrifices and housing temple flocks, over a period of time people found the sacrificing of animals on alters sickening.
The religious animal enclosure has temple poles with arrow heads pointing upwards. The arrow pointing upwards in later sumerian trade seals referred to the trade God Marduc and also represented the bright star Sirius. The poles probably became today's high ranking priest flock staff. for bringing in religious sumerian ambrahmic flocks. Also see this staff pole symbolically held by snakes . Snakes are associated with untamed forces and

Above image shows half of a tablet Early Dynastic lll dated around 2500 BCE from UR. IRAQ.
Tablet British Museum.




The above black and white image is of AUSTRALIAN Aborigine grouped as six dots which mean six tribes. NFOSource. which is similar to the right red six dots in France Lauxuax Cave 20,000 BCE which are both similar to the early sumerian ringlet poles see further above image Above six dots in France Lauxuax Cave 20,000 BCE
at end of-tunnel-called - Felines. (where scratched on the wall a roaring Lion


Tukey Europe



Military Protector CROC God Sobek with Chosen One. Ankh symbol in his hand means to draw life.
Old kingdom EGYPT

Numerical value:
1 : All that is
2 : All that the sun circles
3 : Forever

Name:Shen ring
1:Came from a root that meant “encircling”.
Scientist say its like a catalyst - enzyme
due to its scientific appearance of bonding
merging and breaking in on cell DNA

Symbolic meaning:
1: Encircle
2 : All boundary and contents of the created world
3: Sun on Earth
4 : Eternal Protection +
5 : Protection from the all - surrounding chaos; and more.
6 : The original one that can divide

Ritual animal standard and re-productive symbol .Turkey date ?

.Mayan (foot) ball field Mexico Oxkintok, Yucatán, A ... B
Americas 1500 BCE


Similar Alien DNA spliced & mixed with human DNA = Hybrid 2000 CE.

Mesopotamia Lilith was said to be the first woman ever created the ring post in her hands can represent her sexuality with men, the measuring cords for mans life and justice and is similar to Egyptian Ankh to draw life. She has talons for feet and her sacred animal was the owl. Picture from British Museum Dated 700 - 800 BC. Mythical Demon Goddess .South Iraq


Male Reptile Lizard or serpent figure holding a mace The artifact has CROC like skin bumps similar to the images of Black African Nubian Sudanese , tribal makings and of Oceanic Island young man initiation (See right image) to representing the wagen the returning Ancestral CROC. Figurine from Ubaid period Eridu southern Iraq Arabia Museum Baghdad Around 5000 BCE.


Male Lizard Reptile or Serpent figure holding a mace similar to the Ceremonial House of Parliament Mace See below. The artifact has CROC like skin bumps similar to the above image of Black African Nubian,Sudanese tribal makings and of Oceanic Island young man initiation to representing the wagen the returning Ancestral CROC. Figurine from Ubaid period Eridu Southern Iraq Arabia Museum Baghdad Around 5000 BCE.

A ceremonial mace is a highly ornamented staff intended to represent the official's authority.

Although their precise role and symbolism is obscure the mace is more clearly associated with authority; and is thought to represent a generic king. Ceremonial maces are also prominently depicted throughout in ancient past of royal art which kings are shown performing rites or making religious gestures while holding a mace to symbolise their authority

Above image of Ceremonial Mace of the House of Parliament.




Above a croc with a human fish shape in its mouth a religious figure of priest-hood since priest are represented as fish because fish cannot close there eyes in the worship of a God and bringing the service of religious flocks. The image has similarities to the left image of a Judeo-Catholic-Christian ring. Its a trade seal from India Pakistan Indus valley Dated around 1900 - 3000 B.C. E.


Above Judeo-Catholic-Christian ring




The above Rune Stone Germanic name: OTHlLA
(Anglo-Saxon: ETHEL; Old Norse: none;
Phonetic value: O)
'Traditional meaning: inherited land.

The oldest literal meaning of this rune passed down
to us from the continental Germanic source is "Noble."
In this sense it is directly related to the Anglo-Saxon
word atheling, meaning "Prince" or "Noble."

The shape of the above Rune Stone Othila
is a combination of Inguz and Gebo, and Othila can
be interpreted as the "Gift of Ing," which probably
explains why Othila has been related to the concept
of inheritance.

By comparing the concept of inheritance to the Inguz
rune stone the futhark rune, it can be established
that it is genetic material
that is being inherited on an esoteric level. On a material
level Othila implies inherited land and the rights
to its possession.



Croc looking church building for worship priest and religious flocks

Book Of The Dead
Egyptian Pyparus showing CROC in the middle receiving religious worshipers of having their heart weighed inspected, judged and registered for their sins. The birdhead God Thoth right of CROC with his curved beak representing the crest of the moon was the writing registrar of (heart) organs taken, medicine, noting, documenting time and tricks.

Appropriately under the scales is CROC named God ammut and a hybrid of other animals awaiting to take their sinned hearts, far left is the Black Dog God Anubis who watches over funeral rites and conducts the souls through the under world testing their knowledge of Gods and faith. The Hawk God Horus leads the soul to Orisus. On the above left is a watchful eye of a spread winged vulture meaning to make light holding a single feather to weigh against ones sins for judgment to the embalmed dead God Orisus seen here holding a flock staff with ring let.

The heart was put back, after the weighing of Sins.
Priest dog depicted as a jackal associated with mummification


Dogs were usually depicted about the dead, from there association of scavenging around slaughter houses, Dogs were very duty full, trust worthy and like to please there owners Dog also spells goD backwards
Dogs were very use full for guarding livestock. Picture of a Egyptian stone relief Paris Louvre Museum


The Priest Dog Anu bis the name similar to Anu was a sky-God ,and dwelt in the highest heavenly re-gions.
It was believed that he had the power to Judge those who had committed crimes, sinners and that he had created soldiers to destroy the wicked on earth.


Above Americas Olmecs with headdress similar to king Tutankhamen See right image. The Olmecs installed priest-hood pyramids in the Americas similar to Africa Kemet (black lands) pre egyptian asianiac history and sumerians in Iraq. See below images. The Americas people were placed under a installed 1st Mayan king Pakul to put people under see below image, The religious Olmecs were Chinese and the black African which were the military protection order. The arrival of the Olmecs around 2000 BCE and there calendar is the same as the Mayan calendar starting around 3200 BCE. NFOSource which dates correspond to sumerian God and his Goddess wife Innana and African 1st installed king Namer 3200 BCE







Above African Egyptian asian solid gold head dress of King Tutankhamen similar to the left image of the Olmecs serpent head dress which might explain one of the Olmecs presence in Americas regarding
long distance sea trade to seek the amount of gold present in the Americas which the later Spanish obtained. king Tutankhamen head dress made with blue mineral stone
Lapis Lazuli from Afghanistan besides India today Pakistan (NFO:extent of the silk road trade route from Europe, China, Africa, Iran, India Pakistan and Pacific Islands.
Egypt needed vast amount of gold regarding many reigns
of egyptian kings appointed by the priest-hood into fabulous
treasures which were destined for their landed palaces
and temples. Thousand years later when the Spanish
arrived they were amazed at the amount of Gold present.






P Y R A M I D S - S I M I L A R I T I ES
Middle East

Sumerian step pyramid in front of the Royal Death
pit of UR with human sacrifices. Southern Iraq 2600- 2400 BCE
Mayan Main step pyramid of the Sun with lesser ones
in front for human sacrifice by the priest-hood.
Egyptian Death pyramid of King Khufu 2580–2560 BCE.
Is the oldest and largest of pyramids in the Giza Africa Kemet (black lands) and the tallest man-made structure in the world for more than 3,800 years.
Middle East

Sumerian Royal Death Chamber triangular
tomb entrance.UR. Iraq. 2600- 2400 BCE.
Mayan King Pakal Death Chamber triangular
tomb entrance. Americas. 600-700 CE.

African Kemet (black lands) King Khufu Death Chamber triangular tomb entrance. 2580–2560 BCE



Above image is of Americas 1st installed king Pakal
with distinct large nose seating on two felines. Right image showing him being sacrificed giving priest-hood precedent for future human culling by taking out their hearts on alters for the Gods like Egyptian priest-hood kings in death and modern day western heart operating tables.

Americas King Pakal seen here ritually sacrifice showing pouring plumes of blood with bird on handle
with speech bubbles signify talking or chanting as King Pakal laying on skull base
The Mayans date
around 1500 BCE.The Olmecs before them who laid down there priest-hood pyramid foundations and
bloodletting.The Olmec Mayan calendar start around 3200 BCE same time period as the sumerian God and Goddess Inana and Africa king Namer around 3200 BCE




The dots above the Mayan figure head could represents time passage of a star or planet and a straight beak bird has a bonding rope in its beak and a hawkess beak bird resting on the kids head prepared for sacrifice. The Mayan priest chanting words shown with a speech bubble and about to cut the throat of the bounded sacrificial kid for bountiful harvest and fertilised land behind him left at the back is the God of the Nose Kukulcan Itzamna depicted on a long knife as he looks on at the ritual human sacrifice.

Egyptian elite grasping hair king den. 2900 BCE Americas elite grasping hair. Aztec Codex Mendoza.


Writing Similarities 3000 BCE - 1500 BCE
Easter Island Rongorongo tablet


India Pakistan Indus valley to Easter Island writing script similarities 3000 BCE - 1500 BCE


India Pakistan Indus valley to sumerian Iran Iraq writing script similarities 3000 BCE - 2000 BCE


West AFRICAN one Foot Trickster God known as Eshu / Elegba or Legba, picture here upside down to show similarities to below Caspian sea. He is said to be responsible for all quarrels between humans and gods.The most cunning of all Gods he is described as a homeless, wandering spirit who inhabits the TRADING PLACES. The figure also looks similar to right image of the Caspian sea the largest enclosed inland body of water on earth and has the longest river attached to it called the volga located between the ancient silk trade route of WESTERN EUROPE and EASTERN ASIA This river was also an ancient mercenary viking trading route for SLAVES to the Arab asians in there dragon headed long boats








The Caspian sea looks similar upside down from space to the African trickster God left. The red dot depicts an IRANIAN region named Sari, similar to biblical name of the biblical Abraham maid called Sarai who's was told by a Angle near a spring you are now with a child and would be against all Men on Earth. Abraham or Abram is the farther of the Abrahamic mind capture and control religion of Judeo-Catholic-Christians Islamic-Moslems. ABRAHAM is a cunning anagram spelling BRAHMA the Hindu religion of India-Pakistan of the Indus valley.

The area is also home to a very early or first priest-hood pyramid Ziggurat around 3000 BCE and the red dot is along the very Old Trade Route from Asia to Western Europe and has Monolith stretching straight along from Asia to Britain
NFO Extent of the Silk Trade Routes According to A.J.Hilder the pyramid is Satanic SYMBOL OF SLAVERY and according to Jordan Maxwell
the top of the pyramid is a sexual symbol.

This area is the centre of WESTERN EUROPE and EASTERN ASIA connections and where civilisation first began regarding Ancient Trade Route from Asia East to the West. Pass The Baton Trade Centre Empires. E.G: India Indus valley, Iraq (Sumerian empire ), Iran (Persian empire ), Turkey ( Ottaman empire), Greece,(Greek empire) Roman (Empire), British (Empire), American (Trade Empire) to China (Trade Empire) See below image of The Silk Road





Is Is There a Alien Sea God (Poseidon with trident) in the Caspian sea for Earth's space trading artifacts pickups?
A God being describes as having the body of a Fish but underneath the figure of a man. He is described as dwelling in the PERSIAN gulf and rising out of the waters in the daytime and furnishing mankind with instruction

God Ea was apparently depicted, sometimes as a man covered with the scales of a fish, his temple, "house of the watery deep",
points decidedly to his original character as a God of the waters, ceremonial rites in which water as a sacred element played a prominent part at Mosques, and Judeo Christian Churches.

Ea was the God of water, intelligence and creation. he was the keeper of the holy powers called Me, the gifts of civilized living. He is also the master shaper of the world, the exact meaning of his name is not sure: the common translation is "Lord of the Earth" He is the lord of the fresh-water ocean of groundwater under the earth. His symbols included a goat and a fish, symbols at the opposite ends of the year (Pisces and Capricorn) which later combined into a single beast, the Capricorn, which became one of the signs of the zodiac. Enid in sumerian represented the planet Mercury, known for its ability to shift rapidly, the God of Justice. In character Ea is fundamentally a trouble-shooter God and is said that a favorite meeting place of the gods is at the the Island of DILMUN paradise land some thought to present day BAHREIN.

"God 's Place of Divine dwelling ALT In The Sea?
The Tabernacle is known in Hebrew as the Mishkan
"Place of Divine dwelling". It was to be a portable
central place of worship for the Hebrews from the
time they left ancient EGYPT following the Exodus,
Mishkan is related to the Hebrew word to
"dwell", "rest", or "to live in", referring to the
"In-dwelling Presence of God".
The commandments for its construction are taken
from the words in the Book of Exodus when God
says to Moses: "They shall make me a sanctuary
(mishkan), and I will dwell (ve shakhan ti)
among them. You must make the tabernacle
and all its furnishings following the plan that
I am showing you." (Exodus 25:8-9).

Since the children of ISREAL had to be kept at a
certain distance from the ark since no one was
allowed to see God, or would be punished,
when God had to leave his resting place to go
into the Red sea.

Amen's name means "The Hidden One." from earliest times, viewed as a primordial.
In EGYPT his famous temple, Karnak is the largest religious structure ever built next to the river Nile.The word or root amen certainly means "what is hidden " "what is not seen " "what cannot be seen " which may be collected from texts of all periods.

In Egyptian hymns to Amen we often read that he is "hidden to his children "and "hidden to Gods and men," and it has been stated that these expressions only refer to the "hiding " not only is the God himself said to be "hidden " but his name also is "hidden " and his form or similitude is said to be "unknown;"

these statements show that "hidden "has reference to something more than the"sun which has disappeared below the horizon " it indicates the God who cannot be seen with the mortal eyes and who is invisible, as well as inscrutable to Gods as well as men. In the times approaching the Ptolemaic period the name Amen appears to have been connected with the root men"to abide, to be permanent;" and eternal was thought of as "an invisible power of all life on the earth and in the great deep,
and in the Underworld One of His sacred animals was the ram
Among the Egyptians Gods in very early times were Amen
and his consort Ament, and their names are found in the
Pyramid Texts, e.g., Unas, line 558, where they are
mentioned immediately after the pair of gods
Nau and Nen, who we may consider to be
the equivalents of the watery abyss.

Catholic Encyclopedia

( I )."Blessed be the Lord God of ISRAEL from eternity;
and let the people say Amen and a hymn to God",
with Ps., cv, 48,

( II.) A second use of Amen most common in the New Testament,
is simply a form of affirmation or confirmation ( III.) Lastly the common practice of concluding ending in Amen
seems to have led to a third distinctive use of the word in which
it appears
as nothing more than a formula of conclusion.

In the book of Tobias ends in this way with Amen, and the
Vulgate gives it at the end of St. Luke's Gospel. of Apoc., I, 5,
"I am Alpha and Omega" of Apoc., ii, 8. "The first and the last"
of Apoc. 2) Amen after Communion

The Amen which in many liturgies is spoken by the faithful
at the moment of receiving Holy Communion.
Amen is still employed in the ritual both of Jews

, Judeo Christians and Mohammedan's.

Amen on Britains 1st Coinage










Sumerian priest governor
Gudea holding replenishing vase showing fish stream flowing forever
. Fish means to have human eyes open in fear of God since fish cannot close there eyes from fear.


Sumerian Akkadian war
cylinder seal. 2200 - 2400 BCE.
Inana the war Goddess" Lady of battles " shown here with wings and arm's pouring out a solution and a God coming from the ground possibly her husband with a pruning knife standing next to an protection arrival branch on her left.

Alternative view poison like schedule flood for 80% of the worlds population to be murdered probably through food, drink, drugs, plague or climate change from out doors and indoors especially when you go asleep.

Sumerian Goddess Inana symbolic wing stems pointing upwards meaning war and in a v shape means victory. The tree branch next to her could mean cut and destroy. Ref: Sumerian writing The fish swimming upwards with streams either side of the fish mean forever flowing and are going to one God coming from the under ground with pruning culling knife in hand who may be her husband God Dumuzi who represents the harvest season and a God of the underworld by his Goddess wife inana, the God next to him above showing one leg bare means pure above a bull meaning firm and tenacious
Inanna was a guardian and her symbol was the eight pointed star and was the daughter of the moon god sin she was also identified with planet venus and her symbol was a bundle of rods. See image Warka Vase depicting goddess Inanna and Warka Vase detail . The God coming from below could be God Ea with the pruning knife in hand from out of the sea depth or mountains where the fish a religious symbol are flowing into a God with one leg bare pure. God Ea lived in the ocean and of fresh water as well as wisdom he had the power of the oracle to predict the future and would advise and reason with humans.. An alternative meaning of the curves represent on the ground of this trade tablet represent Reptilian scale related to the constellation of Draco (NFOSource David Ikce).

The symbolic Fish means to have your eyes open in fear of God since Fish cannot close there eyes from fear also meaning offering and sacrifice.
The symbolic Lion means war, the double headed God or two faced minister God Usmur on the right hand side which image is similar to the Greek God Janus was associated with the present and past or old to new his temple gate was always kept open in time periods of war and closed in peace he was invoked at the start each new cycle from old to new.

The double headed God figure can be seen as a small relief on the
inner temple hall door in the Freemasons building in Covent Garden
London. UK which has free educational open days to the general public.
The God Shamash the watching and massager

HAWK above can mean war. The HAWK can also mean God Ea who lives
under the ocean and sea. Also it is said that God Ea meeting place
was on the Arab Island of Dilmun a paradise land some thought to present

The HAWK see's everything's (thus used in spying) and came to be
regarded as the God of Justice and divination. in his light uncovered
every misdeed and enabled him to see into the FUTURE.
Which today is the hidden Jewry HAWK in every part of world affairs and governments.

The symbolic revealing of one naked bare leg in rituals
could mean pure and is also what is done by
the secret organization like today's freemasons founded from
Jewry. Check the symbolic revealing of one leg
scene of a ancient of Feasting Votive. ritual

The seal writing on the left and right hand side looking like
a leg above the Lion's head represents to go, to hunt, stand firm and
the symbolic bull has a meaning of rage and storm

AFRICAN Eshu trickster God. (Also see above image regarding the east west trade route of the silk road and the Caspian sea). holding phallus or penis known for hanging around trading and market places here having a head piece similarity to the PAKISTAN / INDIAN Indus Valley Trading seal with seven sisters or females. See right image

Indus valley seal PAKISTAN / INDIA seven females could probably represent the seven sister star constellation Pleides Seal dated around 1700 - 3300 BCE



.Sumerian Mesopotamian seal with God figures in the sky meeting on bird wings and tail feathers dated around 1000 BCE. similar to right aramean and Aztec shield

AUSTRALIAN Aboriginal symbol of a meeting place similarity which can go back 35,000 years


.ARAMEAN flag similarity

Americas Aztecs war shield wings and feathers of arrows similarity.
Mixtec tombs at Monte Alban representing the God Huitzilopochtli


has a survey implement pointing to a star next to the crest of the earth's moon. In front of him stands the triangular Trade MAR Tool a writing Cuneiform tool and the symbol for agricultural implement associated to the Trade God Marduc. The triangle head of the Mar Tool points upward pictured here in sumerian script could mean "That One" or "Him". NFO REF: Sumerian script 28

priest one looks WEST one looks EAST with hands curved in devotion and offering
(See ancient descendants curved hand and seed )
The priest looking West looks towards a figure on a moon crest with two up right antennae horns representing the Moon God Sin.

The priest looking East look towards the Trade Mar Tool of Maduk the God of the primeval oceans and writing (Cuneiform) tool which is place on top of a Dragon of Trade. (Cuneiform writing looks strangely like a reptile finger nail)
. The triangle head of the Trade Mar Tool what points upward pictured here in Sumerian script could mean "That One" or "Him". NFO REF: Sumerian script 28

The Trade Dragon is associated with Commercial Trade and Wealth in different cultures and seen through out world from EAST to WEST.

writing 2000 + BCE on a container used for purification and fertilization.

Earth Control & Alien Trade Ownership

Pure Sacrifice & Death Adult kid

Priest God CULT of the symbolic one leg bare of purity and death
like the freemason . See the rolled up left foot bare of this ancient scene of a feasting votive ritual.

So this alien God cult used for w a r s and word upside down spells m a r s and from the religious biblical book of kid sacrifice or your first born parent to manipulate fear to kill in order to comply since humans not forgetting the cosmic human avatar's, shells or container have the 1st instinct to protect.

In computer software world of programming : The child follows the adult. As like led Lemmings going over the cliff's edge.

In the uk British secret services known as Jewry National security services have been given new excuse powers to protect kids and there death rate has gone up and TV publishing for next weeks/month world death ritual news and a cry out for more remote CC TV to watch those who are awake and aware.
One of the reasons which is not very clear or hidden from history books as for the Gods Chosen and world alien trading people or alien led credit card pet to be expelled from host countries from religious blood sacrifice of kids some information can be found here. UK The Edict of
Expulsion of 1290

The Moon God Sin

is a God in Mesopotamian mythology of the moon his sacred city was Ur.
The name Nanna is Sumerian for "illuminator".
He was named Sin in Babylonia and Assyrian. His symbols are the crescent moon and the bull
His name is also written simply with the number 30 the number of days in a lunar month.

He is commonly designated as" Lord of wisdom".
We are justified in supposing that the cult of the moon-god was brought into Babylonia by Semitic nomads from Arabia.
The moon-god is of nomadic peoples.
The moon being their guide and protector at night when, during a great part of the year, they undertake their wanderings.
Sin's chief sanctuary at Ur was named "house of the great light".
On seal-cylinders he is represented as an old man with flowing beard with the crescent as his symbol.





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